{"id":592,"date":"2021-04-06T14:09:21","date_gmt":"2021-04-06T12:09:21","guid":{"rendered":"https:\/\/dragonfly-colors.com\/?p=592"},"modified":"2023-03-26T21:00:08","modified_gmt":"2023-03-26T19:00:08","slug":"how-important-is-underbase-in-screen-printing-on-t-shirts","status":"publish","type":"post","link":"https:\/\/dragonfly-colors.com\/de\/how-important-is-underbase-in-screen-printing-on-t-shirts\/","title":{"rendered":"Underbase white and its Essential Role in Screen Printing T-Shirts"},"content":{"rendered":"<div data-elementor-type=\"wp-post\" data-elementor-id=\"592\" class=\"elementor elementor-592\" data-elementor-post-type=\"post\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-64e0ab45 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"64e0ab45\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-8d000a\" data-id=\"8d000a\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4c3816b4 elementor-widget elementor-widget-text-editor\" data-id=\"4c3816b4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><span style=\"font-weight: 400\">Underbase in screen printing is crucial to the final result in terms of precision and opacity. Choosing the right technique of application is important, as depending on your print you might want to apply a different color, use a different screen mesh, or perhaps not use an underbase at all. Understanding the idea of the base and comprehending how it contributes to the outcome can make you improve the quality of the prints with less effort. In this article, we explain how different kinds of under bases can influence your projects.<\/span><\/p><h3><b>Wei\u00dfe Basisdruckschicht<\/b><\/h3><p><span style=\"font-weight: 400\">Probably the most popular and versatile approach is applying a white underbase on your shirts. Then, the biggest problem is selecting the proper screen mesh. A relatively lower screen mesh count should always be used not to apply too many layers of ink.<\/span><\/p><h3><b>Choosing the right <a href=\"https:\/\/dragonfly-colors.com\/de\/mesh-selection-the-key-role-in-t-shirt-screen-printing\/\">mesh count<\/a><\/b><\/h3><p><span style=\"font-weight: 400\">Die empfohlene Anzahl liegt zwischen 110 und 160 F\u00e4den pro Zoll.<\/span><\/p><p><span style=\"font-weight: 400\">Lower mesh than 110 is rarely used in general, almost exclusively for special inks, like glitter. There\u2019s a risk that the garment would not absorb the ink properly if you use a screen with mesh lower than 110. Also, the ink has to dry out well before applying the next layer. A higher screen mesh than 160 can result in dull color, which might require putting up the next layer. Therefore, you might end up with a thick plastic-feeling coating. Not always you want to go for full-opacity white. Although you want to make your underbase consistent. Think of it more as a support for the ink you\u2019re going to put on top of it. If you put too many layers or a too thick layer of ink, the coating might end up being stiff as a plate. Higher screen mesh is recommended if we are using a machine press due to the higher pressure being put on the screen than when you are applying the ink manually. For manual use, 110-150 is completely fine. However, the mesh itself is not the only factor making the underbase more\/less opaque.<\/span><\/p><h3><b>Basisdruckschicht in der gleichen Farbe<\/b><\/h3><p><span style=\"font-weight: 400\">In einigen F\u00e4llen ist es sinnvoll, dieselbe Farbe f\u00fcr den Untergrund zu verwenden, was oft als Hit-Flash-Hit-Technik bezeichnet wird. Vor allem, wenn Sie einfarbige Grafiken wie zum Beispiel Text oder geometrische Formen in der Siebdrucktechnik drucken. Es ist hilfreich bei der Positionierung des Drucks auf dem Shirt und nimmt weniger Zeit in Anspruch, so dass Sie mit weniger Aufwand die gleiche Qualit\u00e4t erzielen, die sie mit einer wei\u00dfen Basis erreichen w\u00fcrden. Dar\u00fcber hinaus kann es auch die Textur des Drucks verbessern, wodurch das Kleidungsst\u00fcck sp\u00fcrbar weicher ist. Das Auftragen einer Basisdruckschicht in einer anderen Farbe als Wei\u00df wird auch manchmal in einigen komplexeren Grafiken verwendet, bei denen eine helle oder pastellfarbene Farbe als Hintergrundfarbe verwendet werden kann, da es <\/span><span style=\"font-weight: 400\">nicht sinnvoll ist<\/span><span style=\"font-weight: 400\"> zu viele Farbschichten auf Kleidungsst\u00fccken zu verwenden.<\/span><\/p><h3><b>Keine Basisdruckschicht<\/b><\/h3><p><span style=\"font-weight: 400\">In some cases, it\u2019s alright for the shirt color to penetrate the print, like in a vintage design or when you\u2019re looking for a washed-out appearance. This kind of print will paradoxically keep its condition for a long time as screen prints this light, don\u2019t tend to break. This technique is reserved for experienced printers or semi-automatic and automatic screen printing machines, as it requires a very even tension for the ink to pass through the mesh and is most recommended on good-quality garments. Another situation when an underlay doesn\u2019t have to be used is having a white or a very bright pastel color garment to print on. It needs an underbase only if the colors you are using are very bright too, like for example light pink on pastel turquoise, or when you have a very complex design to pull off.<\/span><\/p><h3><b>Hintergrund als Basisdruckschicht<\/b><\/h3><p><span style=\"font-weight: 400\">Jedes Mal, wenn Sie einen Untergrund aufbringen, denken Sie daran, dass Sie auch einige wei\u00dfen Elemente im Projekt haben, die als Teil des Untergrundes betrachten werden sollten, da diese wei\u00dfen Elemente im Prozess der Farbseparation mit dem Untergrund zusammenlaufen und daher h\u00f6chstwahrscheinlich f\u00fcr eine h\u00f6here Deckkraft des Untergrundes sorgen werden. In diesem Fall wird ein dichterer Sieb nicht empfohlen.<\/span><\/p><h3><b>Andere Ans\u00e4tze f\u00fcr die Basisdruckschicht<\/b><\/h3><p><span style=\"font-weight: 400\">Although it\u2019s possible to print white background and underbase at once, sometimes the top white is separated in simulated process color separations regarding halftones. It also happens that screen printers successfully experiment with different whites or colored underbase. It\u2019s considered, for example, when the project is rich in various colors and we just lack enough heads, or when we are making the base for glitter inks, or we\u2019re about to darken or saturate specific colors on the print. The problem is the difficulty to preview the effect accurately without physically applying it to the garment.<\/span><\/p><h3><b>H\u00e4ufige Probleme<\/b><\/h3><p><span style=\"font-weight: 400\">Das Kleidungsst\u00fcck hat eine bestimmte Tintenkapazit\u00e4t, die bei der Auswahl des perfekten Siebes ber\u00fccksichtigt werden muss. Je dicker die Tinte, desto schwieriger ist es f\u00fcr den Stoff, sie bis in den Kern aufzunehmen. Speziell bei schweren oder mit einem Weichmacher behandelten Shirts. Dies hat Einfluss auf die Deckkraft der Basisschicht und macht es schwieriger, ein Optimum zwischen einem steifen Druck und einem abgenutzten Look zu finden. Aus diesem Grund wird dringend empfohlen, Testdrucke zu erstellen. Es ist eine gute Idee, einige Musterst\u00fccke der Textilien zu besorgen und zu experimentieren, bevor Sie mit der eigentlichen Produktion beginnen. Hier hilft die Erfahrung, da sie es m\u00f6glich macht, sich bis zu einem gewissen Punkt auf die eigene Intuition zu verlassen.<\/span><\/p><h3><b>Vorbereitung ist der Schl\u00fcssel zum Erfolg<\/b><\/h3><p><span style=\"font-weight: 400\">Generell gilt: Je komplexer der Entwurf, desto kleiner die einzelnen Elemente, wodurch es schwieriger wird, einen gelungenen Untergrund zu schaffen. Der Zusammenhang zwischen dem, was wir auf dem Computerbildschirm sehen (auch nach der Farbseparation), und dem, was auf dem Kleidungsst\u00fcck rauskommt, h\u00e4ngt stark von der Qualit\u00e4t des Untergrundes ab, der eine Leinwand f\u00fcr unsere weiteren Arbeiten bildet. Es kann zu dick, zu transparent, zu schlabberig oder zu ungleichm\u00e4\u00dfig sein, entweder wegen der Auftragungstechnik oder Absorption. Einige dieser Probleme k\u00f6nnen durch die richtige Farbseparation beseitigt werden, andere erfordern nur eine erfahrene Hand und gute Werkzeuge. Aber es sollte kein Albtraum sein. Man kann mit der Produktion viel experimentieren, und es braucht lediglich eine sorgf\u00e4ltige Vorbereitung. Schlie\u00dflich ist es die erste Schicht, die auf ein Shirt aufgetragen wird.\u00a0<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>Underbase in screen printing is crucial to the final result in terms of precision and opacity. Choosing the right technique of application is important, as depending on your print you might want to apply a different color, use a different screen mesh, or perhaps not use an underbase at all. Understanding the idea of the [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":597,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-592","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog"],"yoast_head":"<title>Underbase white and its Essential Role in Screen Printing T-Shirts<\/title>\n<meta name=\"description\" content=\"Discover the importance of underbase in screen printing t-shirts. 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